'CURLED TOES' / ALYSSA JOSEPH: PREMIERE


by madden levin

photo courtesy of alyssa joseph

photo courtesy of alyssa joseph

Singer-songwriter Alyssa Joseph is back with another perfect summer day single, “curled toes.” Though she has been quite busy releasing plenty of other tunes for her fans to enjoy over the past few months, post-move to Nashville, she sure didn’t let this single fall flat of amazing! From the beginning of the tune, there is a wave of comfort that flows through the eardrums and travels to the rest of the body. With a quick build-up, despite continuing the calm vibe, Joseph captures her audience with a catchy melody, outlined by her addictive voice. The instrumentals surrounding “curled toes” aids in its calm feeling, as they invoke a relaxed emotion, while each beat perfectly matches the messages she is trying to get across.

Out of all her recent singles and releases that we are lucky to have on our playlists, this is the song that I believe truly captures Joseph’s impeccable production quality and ability to create a song for virtually any emotion or situation. We are sure that this new single will be on repeat on your playlists — be sure to give it a listen before you go!

Not only has Joseph released this new single, but we were lucky enough to speak with her about the exciting changes she’s been making in her life and if “curled toes” is a continuation of any previous singles or if it marks a new journey for her as an artist. The last time we spoke with her was back in 2016, so we were extremely excited to chat about maturing and how her life has brought her to the lovely city of Nashville to continue to embark on her musical journey. Check out our exclusive interview with Alyssa Joseph below! And don’t forget to listen to “curled toes” on your favorite streaming platform starting July 30th! You can also get a free early download of the song here.

For those who have never gotten the chance to check you out before, can you tell us a bit about your music/who you are? What’s the first song of yours you’d direct these new fans to listen to?

Alyssa: “Yeah, I’m Alyssa Joseph — singer, songwriter, vegan, plant mom, sensitive human who feels a lot. I’m from Jersey and have been living in Nashville for two years now. My music is alternative indie rock, but I like to describe it as grungy sadgirl.”

 

You recently(-ish) moved to Nashville. Why was this move so important to you and your music, too?

A: “Nashville is Music City! A lot of people think it’s just for country music, and that’s not true. All genres are blooming here, and it’s where a huge part of the music industry is located. I lived here for a summer in college and really loved it; I always wanted to move back.

Mostly everyone is a creative here. I needed to change my environment to grow and set myself up to meet and interact with potential collaborators. I have definitely seen growth in myself and my music so far and am excited to continue that hustle.”

 

Last time we caught up with you was back in 2016. Since then, how do you feel that your music has matured/you as well? I have definitely noticed a change in confidence in your music that is quite motivating! 

A: “Wow — 2016 was the year I graduated college. It feels like a different version of myself. I have definitely evolved and grown. It was cool — after college I didn’t jump into a job or any environment where I was surrounded by peers or a ‘system’ everyday. I didn’t have the constant pressures or insecurities or confines of seeing the same people every day. 

I could re-evaluate myself, where I stood in the world, how I portrayed myself. And I decided to become the girl I always wanted to be but told myself I couldn’t. I learned to love my body, I developed a style, an aesthetic, a brand.

As a solo artist, who I am as a person is what my image/brand is as a musician. So having that time after college to just focus on myself — to learn to love my plus size body, to chop my hair off, to dye it tons of colors, to get a nose ring, to experiment with dark lipsticks and makeup, to date around and experience sexual growth, to choose to push myself out of my comfort zones —  was so so important in my experience as a human. And that translates to my music and who I am as an artist.”

 

photo courtesy of alyssa joseph

photo courtesy of alyssa joseph

Your most recent EP, alive, has been out for about a month now. Can you tell us a bit about the creative direction you were going for, for the EP as a whole and how the production process was?

A:alive is an EP-version of a record that I will be putting out in a few months. It is a collection of the more polished songs on the record — the songs that are more about external factors in my life and how I reacted to them. Each song was written during a moment where I felt very alive — either feeling the weight of existence or stuck in a tough transition or just in awe of how we are tiny little ants in the scope of the entire universe.

I recorded those songs in Philly, and moved to Nashville with the stems. I wanted to find some badass womxn engineers to work on the record, and I found Kate Haldrup. She mixed the EP (and LP), and completely made it sound 3 dimensional.

I was then connected with Raelynn Janicke who mastered the record analog. Finding women to work with through the process was a completely rejuvenating experience. As a woman, if I am not going to pursue womxn engineers, what man is going to?”

 

You are definitely not wasting any time with the release of your newest single, “curled toes,” coming out on July 30th. Is this song an extension of the EP or a step in a different stage/story line for you?

A: “Let’s keep the new music going, right? ‘curled toes’ is the segway from the EP into the full album. :) It’s the most light-hearted song on the record, and I figured it would be the perfect summer track!”

 

Can you share with us why you wanted to make this song in particular a single? What was that turning point moment for you?

A: “I think that ‘curled toes’ is a soft, sweet, and fun moment on the record that is in the midst of some pretty dark stuff. So, I wanted to highlight that moment. I really enjoy playing it live, and I’m so stoked to incorporate it into my live shows — that will actually happen this Thursday, July 29th at The End in Nashville, TN!”

 

The song itself from the very beginning is something that feels almost like a picnic during a nice sunset in the summer season. Do you imagine a visual representation of your songs at all in creation? Do you think it is important/fun to do so?

A: “I definitely think visually. It’s important, especially when figuring out arrangements and recordings, but also the content that goes alongside each song. What emotions do you want to elicit in the listener?

‘alive’ to me is staring up at all the stars in a remote location on a clear night. ‘easier’ is an angsty morning when I haven’t eaten breakfast yet. ‘curled toes’ is playing in the background while I’m driving with the windows down on a summer day and the sun is shining on my skin.”

 

Are you looking forward to live shows continuing? Out of all your newest songs since last stepping foot on a stage, which are you most excited about performing live?

A: “I am definitely excited to perform. I have my first live show coming up on Thursday, 7/29. I haven’t played a show in person since March 13th, 2020. AND it’s my first full band show in Nashville. So, I really can’t wait. I’m excited to play all of them! There isn’t one in particular.”

 

Got any fun things coming up in the future that you can tell us??? :)

A: “Well, for those who are not in Nashville and can’t make it to my 7/29 show at The End, I will be having a ‘curled toes’ livestream show on YouTube Live on Thursday, August 5th! You can RSVP here.

I can tell you that there will be a full album. That there will be more video content. That there will be chances to see each other again and experience music together, in-person.”

 

And before we go… last chance to plug anything you want… social media/new songs/shows/etc. BUT, plot twist, you must also describe your music using as much alliteration as possible. 

A: “You can pre-save ‘curled toes’ here! If you’re in Nashville, this Thursday, 7/29 I’ll be playing at The End with my full band! If not, don’t worry because I’ll be doing a livestream show on Thursday, 8/5 on YouTube Live! And grungy guitar girl guts. ;)”

 

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'ROUTINE' / SAM MACPHERSON: PREMIERE


by emily harris

photo courtesy of sam macpherson

photo courtesy of sam macpherson

Red Bank, New Jersey native Sam MacPherson has earned a name for himself out in his current residence in LA. With honest lyricism and smooth-flowing sonics, MacPherson’s sound is simple and pleasant to the ears, and to the heart when you read into the lyrics. His newest single, “Routine,” is no outlier to his already unique discography. The single, his first of 2021, marks the beginning of a new era of his work. The song is the first of four new singles off his debut EP coming later in the year. With a soulful tone and delicate melodies, “Routine” is bound to be a beautiful addition to his first EP release. 

The vocals for this track were recorded in his childhood home in just twenty minutes. The feeling of comfort flows well into the fully produced track by Andy Seltzer. MacPherson’s vocals are nothing short of raw and vulnerable, which add to the beauty of the song. Written about the realization and depth of true love after it’s too late, the theme is something listeners can easily relate to. With the lasting chorus of “falling in love was a part of my everyday routine” ringing in your ears, the track lends itself to be listened to multiple times in a row. The story is honest and the delivery of the track works hand and hand in that way. 

With an accompanying music video dropping alongside the single, the visuals are bound to add a nostalgic feeling for the song’s running time of three minutes and fifteen seconds. If you’re looking for a soulful artist with a true attention to lyrics and sonics, look no further than the work of Sam MacPherson. You may just want to discover him while he’s still small, because he is bound to make waves in the industry soon! 

 

‘WAKING NIGHTMARE’ / SLMBR: PREMIERE + INTERVIEW


by shauna hilferty

photo by jane silverstein

photo by jane silverstein

Alt-rock, New York based, three piece SLMBR is excited to release their first ever music video for their single “Waking Nightmare.” The song, which appears second on their debut EP Endless Daydream, highlights feeling stuck in the mundane. This is not only portrayed lyrically and instrumentally, but in the video as well through its varying locations and colors. The video features drummer Kristian White, bassist John Africano, and lead singer and guitarist, Nick Sossi Romano who also directed the production. 

I was able to get some more insight into SLMBR’s vision and inspiration on both the video and song. Check out the interview below! 

Congratulations on the release of your first ever music video for "Waking Nightmare!" Can you give us SLMBR's take on the inspiration for the video? 

SLMBR: “Our inspiration for the video was a combination of all of our conversations about the music and what we resonate with: it's a personal journey, a full expression of self. I wrote this song two years ago, but I feel like it's just as relevant to my life now, and the release of pure energy that the video gave us is just what this year and this song really needs. I hope people think the video is cool, but I also hope people really see how much this song means to us.”

There are a couple different filming locations in the video, like the bedroom shoot, the water, and the slo-mo paint scene. How did you choose these and what symbolism do they have in regards to the song? 

S: “For our first video, and with a song with ‘nightmare’ in the title, we knew we wanted to do some form of sleep/bedroom imagery. Just hanging out and performing the song in a bedroom was just the vibe of the song, both for how it was written and how it sounds. Adding all of the notebook drawings was an aesthetic that we carried over from some of the early concepts for the song. For the paint, I [Nick] loved the idea of something consuming me over the course of the video, something beautiful, but sinister. Paint was the safest and most interesting looking option. And with the doors on the water... I don't know how I came up with that. I knew that I wanted doors and windows in the video because they are mentioned in the song, but just floating on doors is such a ‘dream’ thing and I wanted us to feel like we were in a place devoid of time and space. In my mind, all of the locations coexist in this dream world, in some way or another.”

What is your favorite lyric in "Waking Nightmare" and why? 

Nick: “My favorite lyric in the song is ‘I can't remember my own face/In a world I don't appreciate’ because it's kinda the core of the song to me. It's this fight between reality and the subconscious and how to be one person and think about yourself as another. The identity crisis and fear of self is why I like that line so much, in a melancholy way.”

John: “Mine is ‘every window's bound to break,’ my reasoning being that fragile, transparent things are easily broken; in order to truly become strong, sacrifices have to be made, including concealing emotions and enduring hardships.”

Kristian: “‘Keep it dark, I’ll find a way to reinvent the outer space.’ I like it because it reminds me to look within before searching for an outside source for comfort and sanity.”

It is not easy to accurately capture the feeling of isolation both metaphorically and physically. And during unprecedented times, turning to art and music is more necessary than ever. “Waking Nightmare” highlights aspects we tend to suppress for the band and listener, making for one hell of a cathartic listening and viewing experience.

 

directed by Nicholas Sossi Romano ENDLESS DAYDREAM EP: https://slmbr.hearnow.com MERCH: https://slmbrmusic.square.site/ Connect with SLMBR Instagram: https:/...

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'HIGH TIDE' / SLEEP HOUSE: PREMIERE + INTERVIEW


by emily harris

photo courtesy of sleep house

photo courtesy of sleep house

August 18th is a day set in the history books for alternative pop band Sleep House. It’s the day New Jersey natives, Nick Gardyasz, Adam Mink, Evan Marcinko, and Nick Marchinko, are set to release their newest EP, High TideHigh Tide — their most dynamic and wide-ranged release yet — is centered around the notion of hope and becoming able to accept changes in life. Originally formed in 2016, the band themselves have firsthand experience in growing and changing within the music industry. This three-track record comprises the third studio-release for the band following their Valentine’s Day dropped single entitled “Stephanie.” 

High Tide fully encompasses the 70s inspired rhythm and chilled-out vibe the band is known for. It’s no surprise the band is fans of The Strokes, John Mayer, and The Beatles. Their intricate lyricism follows the pattern of that of John Mayer, their guitar riffs follow that of The Strokes, and their simple yet swelling choruses remind you of those found throughout The Beatles’s discography. 

The EP’s leading track, “Skydiving in Dubai,” begins with a thirty second musical interlude, fully letting the lyrics soar when they kick in. The vocals are almost silky and easily puts the listener at ease with the easily remembered chorus. This precedes the second song, “Clementine,” a mellow song with lyrics that clearly paint a beautiful storyline — of one person telling their older self that life gets better. The EP ends with “You’re Still My Favorite Thing.” The third and final track is truly the underdog of the EP. Although starring the band’s usual sweet-sounding guitar riffs, the chorus booms with the melodious addition of a stronger guitar presence than usual. The EP ends on a simplistic note, fully bringing the EP into one cohesive image. 

I’ve come to decide that their sound fits perfectly as the soundtrack to a scenic drive. Its simple and wholesome melodies allow you to focus on everything around you and put you at utter peace. If you’re looking for a band to put you at ease, look no further than Sleep House. 

Prior to the release, I had the chance to talk to the band about High Tide and what their plans are for the future! 

Congratulations on the announcement of High Tide! Can you tell us about what you want fans to take away from this new release? 

Sleep House: “Thank you so much! We hope our fans love this record as much as we do. Coming to the studio every week to work on this EP is what kept us going during these hard times, so we hope this EP can be there for our fans too.”

What was the inspiration behind the EP title, High Tide, and the artwork of this release? 

SH: “The artwork was inspired by a painting Nick M. found while he was in Arizona last summer. The music for High Tide felt very spacious and raw to us, so we wanted the artwork to reflect that. Our friend Rob hand painted the artwork himself.”

As this is your third EP, how does it feel to be releasing new music again? 

SH: “It feels very refreshing! This is the longest we’ve spent working on a release, so it feels incredible to finally show everyone what we’ve been doing.”

As this EP centers around the notion of changing and growing, how do you think you’ve grown from the creation of the band to this newest release? 

SH: “We’re all completely different people now! We started when we were 15, and now most of us are about to be 20 now. Our music tastes are a lot bigger than before, and the music we make has grown to sound more mature as well. One thing that has stayed intact is the joy we have making music with each other.”

What was the writing and recording process like for the first song of the EP, “Skydiving in Dubai?” 

SH: “This song came really fast, writing wise, and we really felt like we could do a lot in the studio to it to spice it up more. It’s definitely the most energetic tune on the record and in our discography and I’m really proud of that one.”

What is the backstory behind the second song of the EP, “Clementine?” 

SH: “Clementine was originally a song called Grace that I had written as a love song for an ex-girlfriend back in the beginning of the band. We never did much with it and kept it in our pocket until it came time to figure out what we wanted this record to look like, and because of it’s summertime feel to it, I felt I could rework it and make it a more unique and interesting song. Out came Clem, which lyrically is almost a response to the old version and telling my old self that things and life gets better as life goes on.”

Listen to High Tide on Spotify. Sleep House · Single · 2020 · 3 songs.

Can you talk a little more about the placement of the songs on the EP? Did you always want “You’re Still My Favorite Thing” to end the record? 

SH: “‘Skydiving,’ because of the high energy, we felt would be a good starter to the record, and ‘Clementine’ after it allows for the energy to stay but also brings it down to a chill vibe a bit. We definitely knew ‘Favorite Thing’ was a special one and would be a perfect ending for the EP from the beginning. The progression from high energy to complete chill vibes we felt was a perfect order for the EP to be in. 

What new things can we expect from you after this EP drops? 

SH: “We have lots more surprises with High Tide to come, as well as shows hopefully sometime soon, and we’ll definitely be releasing more music down the road.”

 

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'OPAQUE' / HABLOT BROWN: PREMIERE


BY DANIELLE HOLIAN

 

OPAQUE is Hablot Brown’s latest offering showcasing their newest effort proving an incredible musical progression over the six-track extended-play.

The production is pleasantly surprising on the opening track “Go” that prepares the listener on where the EP will go from there.

Following this, there is a rhythmic charm on “Soldier” and “Minute” that draws the listener in deeper to the EP. There’s a sophisticated and mature sound throughout the tracks that makes it easy to fall in love with their sound, lyricism, and presence as a band. 

At the midpoint of the EP, “Heaven” and “Take It All” fully prove they are in a league of their own creating something fresh and intriguing listeners with their lingering taste of their unravelling signature sound.

Concluding the highly anticipated EP with “Said & Done”, it once again shows the profoundly expressive vocals, bold rhythmics, and polished production that the trio excellently created.

The EP’s title, OPAQUE, means to not be able to be seen through; not transparent. And as the tracks play, it shows how thoughtful the band were with their attention to detail with their storytelling and production.

Musically, the trio create a modern blend of R&B, soul, and jazz making each track an earworm, showcasing a melodic expression with admiration of their musical talents.

Lyrically, the band makes an impactful progression furthering their storytelling skills, along with incredible melodies.

OPAQUE discusses a reflection of tumultuous, foggy, and transitional period in the band lives that foreshadows the graduation from old school to new and the stepping stones on what’s yet to come blended over vastly contrasting genres. There’s a tenderness to the soul-hinged instrumental and lyrics that draw contemporary R&B styles combined with different directions that produce an incredible number of tracks.

Overall, there is a lot discussed throughout the EP that will keep the listener interested from the get-go. And whether you’ve heard of Hablot Brown, OPAQUE is a great starting point.