'NEW PLANET HEAVEN' / HUNNY: REVIEW


by emma schoors

Available now via Epitaph Records, HUNNY’s new planet heaven is a solid second full-length from one of California’s finest and most consistent alternative acts.

Named after collaborator and friend Derek Ted’s Los Angeles studio, the record was born of the band’s renewed “campfire-style” approach to melodic brainstorming. According to guitarist Jake Goldstein, getting out of their own way and being “less precious” about what goes out is among their new objectives, and it shows. This album is them kicking their feet up without handing over a bit of proficiency.

Drummer Joey Anderson suffered an injury before the band’s tour with Waterparks this April. Instead of canceling their appearances, the band pressed on with a drum machine. On opening night, they expressed that this was fresh to them, too, then delivered a set that saw the live debut of lead single “action → reaction.” Anderson’s return made his role in the band crystal clear. “Loser” earns its wings with his cheery backbeat, and his attentiveness as a performer meant that even in a crowd of mostly new faces, he found each and every HUNNY fan and sent them a smile and a nod. 

On the last night of tour the band sent “big star” into the stratosphere, sparkling with optimism and warmth to match its mid-June release. “Don’t stay in your old ways / Big star, can’t fall off it / You’re something supersonic,” vocalist Jason Yarger assures. Just over a month later, “solo” made its grand appearance. With an intro more attuned to the likes of 2018’s “Rebel Red” or 2017’s “Hard to Believe,” the third single deploys guitarist Jake Goldstein’s instrumental prowess alongside bassist Kevin Grimmett’s fiercely reliable lines.  

“89cc” poses the age-old question: “Would you still love me if I was a worm?” Directed by James Baby and produced by Rachel Goldfinger, the corresponding music video features Yarger wearily entering “worm world,” and eventually being transformed himself. One might expect the more radio-friendly tracks to have been chosen as singles. While that’s true, it’s nowhere near where catchy hooks or pop-rock resonance end on new planet heaven. “Not prophetic, but it feels meant to be,” Yarger sings on opening track “bothering,” welcoming the album in with luscious guitars and a treasure chest of quotable lines. 

“sixteen stitches” sees Yarger revisiting the uncertainty that defined 2015’s Pain / Ache / Loving (“I got a new scar from old decisions”) while “my own age” offers a slower acoustic burn. Motion City Soundtrack’s Justin Courtney is featured on “ring in ur ear,” a heavy hitter that harks back to previous collaborations like “Saturday Night” with Bleached. Joni Mitchell’s Court and Spark enjoys an unexpected mention on “nothing amazing happens,” and “all my luck” calls upon the romantic alternative charm that forged their fanbase in the first place.

With a string of album release shows set, HUNNY is looking forward to a successful end of year, made even sweeter by their upcoming tenth anniversary as a group. new planet heaven is a supersonic new direction for the Southern California-based quartet.

 

'YES. YES. YES. YES. YES.' / HUNNY: ALBUM REVIEW


BY MICHELLE CASTILLO

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Hunny’s debut album, Yes. Yes. Yes. Yes. Yes., has some of their greatest works to date. The band was able to successfully experiment with their sound and staying true to the music we’ve come to know them for. This album takes the audience through a story of unrequited love.

“Lula, I’m Not Mad”, the first track, sets the tone for the entire album. This upbeat tune with emotional lyrics will have you dancing and remembering your ex at the same time. The repetitive line of “my bed is a hospital” depicts how often this common household item has helped him heal after his love interest constantly hurts him.

What I like about “Change Ur Mind” and “Smarter Way of Saying It” is how different these songs are compared to the rest of the album. The former definitely experiments with the instrumentals in this track. The use of a synthesizer with a new rhythmic sound I had never heard before makes the song stand out among the rest of the album. Whereas “Smarter Way of Saying it” leaves the listener wanting more with how short it is. Yarger, in this song, has fallen “out of love” and is moving on from his love interest.

“A Slow Death in Pacific Standard Time” has the classic Hunny vibe. The call-and-response within the chorus adds more complexity to the song’s arrangement. This also makes the song fun to dance to. The same with “Everything Means Everything Meant Everything.” I can already see myself yelling that track’s chorus at their next concert.

“Saturday Night”, despite its upbeat tune, is the saddest song, lyrically, on the whole album. Yarger sings about how in love he is, however, the feeling is completely disregarded by his love interest depicted by the band Bleached. “When you never called back / I don’t remember that / I cried, I cried, I cried.”

Out of all the songs on this album, “Ritalin” has to be my favorite. The vocal arrangement at the chorus is fun to sing along to. The first time I heard this song I couldn’t help but turn the volume up on my phone and dance around my room. “Halloween” is the perfect song to close out this album. In comparison to “Ritalin”, this more chilled out track will mellow you out after dancing to the aforementioned song.

What I like about this album is that it doesn’t recycle previously released singles. All tracks on this album are completely new and incorporate elements of their other EPs. I can’t wait to hear what Hunny comes up with next in terms of future music projects and the visuals they create based on these songs!