LITTLE STRANGER: INTERVIEW


by janae stewart

Alt indie hip hop duo, Little Stranger, comprised of Kevin and John Shields, hit the IHG Hotels Stage on Saturday afternoon to play their first Gov Ball set. After their set they took some time to sit down with me and answer some questions.   

Can you tell me a little bit about yourselves and the band? I know you guys are from Philly and are in South Carolina right now. Tell me a little bit about how you guys got your start.

Little Stranger: “Yeah, Kevin and I met in high school outside of Philly and we sat next to each other freshman year in biology class because it was sat alphabetically, we had the same last name.”

Right, brothers from a different mother.

Little Stranger: “Yeah, we’re not related. So that's how we met and we were friends all through high school but didn't really work together much.

John and I both had high school bands and John's band would always beat us at the battle of the bands.”

Gotcha.

Little Stranger: “Right, as if anyone's surprised. So yeah, fast forward, post-college, I had moved home to Philly and me and Kev would often get up and perform with each other in Philadelphia, each of our band's live shows. And we just felt like we worked really well together so we wanted to make a side project. It was more of my singer-songwriter thing and Kevin rapping. And so we started Little Stranger as a side project and pretty quickly in working with each other realized how much we enjoyed it and how well we worked together.”

Yeah, absolutely.

Little Stranger: “And that sort of stemmed in 2015 to be becoming a real thing where I had planned to move back to Charleston, South Carolina. So I was playing as a gigging musician there and making money playing in wedding bands and playing acoustic gigs at bars and stuff. I knew I could make some money. But I wanted to tour with an original project, so kind of like offered that up to Kevin and Kevin being the man committed to it and that was the start of the whole thing.”

That's amazing. Obviously your history, I feel like it really showed on stage. You guys had such a connection. It seemed very fun. I saw that you guys did like a hundred plus shows or something within a year time frame. How do you keep it fun? How do you keep on just enjoying it?

Little Stranger: “Oh, there's days where it feels like a grind, but the good thing is, like you said, we would play these shows that were four hours long or things like that. But it all helped to sharpen the blade where John is the maestro up there. He's the composer. He's creating the songs on the spot and kind of choosing what comes next. So a lot of times he will throw curve balls my way of things I'm not expecting or things that I'm not prepared possibly to do. But you find yourself making sure that you're always ready for anything and that's what makes it fun because it's like we can write a set now and when it goes off the rails that's almost more fun for us. But it is a trust. It's a trust. We have such a respect for each other's musical abilities and to be able to handle any scenario that it makes it fun and easy. Like there's not like a, uh-oh, I'm changing it up, you're not going to be able to handle it. It's like we're both ready at all times.

Yeah, I think it's a two-fold thing of not only trusting each other's ability to perform live and keep things off the cuff, but that also goes. That's a product of our friendship and how we relate to each other on a day-to-day basis because everything we do is basically trying to like take a joke to the furthest place it can possibly go. And all that is is like being off the cuff as well. Yeah, and truly, like Kev said, we did four years of just doing 100 plus shows a year that were long bar gigs to nobody and that helped us get good at working together.”

Right, of course. That's cool. So your music has a lot of reggae and hip-hop influence. How did that sound kind of come together? Was that stuff you guys were doing already in high school or...?

Little Stranger: “A bit. The band that I was in prior to this was a little more reggae, kind of like reggae jam band. So I always kind of was influenced by that as a songwriter listening to Slightly Stoopid and Jack Johnson and G. Love. That was a big influence for me. And then when I linked up with Kevin, really we had this mutual love for Gorillaz that was kind of felt like this middle ground of melodic hip-hop production with melodic choruses that meet verse, like rap verses. And Kevin and I, not only like performance-wise but just influence-wise and what we both brought into the music, that seemed to be why we ended up doing the music that we're doing.

Yeah, to find a way to make a hip-hop track that has not only a catchy chorus but a well-written chorus, well-written verse that then when the rap hip-hop verse comes in it feels like a moment itself almost. Like I literally have the Danger Doom tattoo because that album is like the most beautifully crafted poppy choruses meets MF Doom verses, like these weirdo verses and stuff.

So it was nice to find someone that we wanted to explore that. And once we started doing it, it felt easy. It didn't feel like we were trying to do a thing. It was like, oh shit, this is what we were supposed to be doing.”

Yeah, totally. Tell me a little bit about the writing process for Sat Around Trippin. Is that the name of your new album?

Little Stranger: “Yes, that's the name of the new album. So it kind of started, what we did to really kick it off was last January ‘23. We had been touring so much that year, and then when we're not touring we live in Charleston, South Carolina. It's an amazing place, it's also small and we know everyone. We have so many friends there and they're all musically inclined and they're creatives. And that is an amazing thing. Sometimes it felt like we would get home from tour and you don't really get a break or we can separate ourselves. So last January we went up and rented a cabin on top of a mountain in Asheville, North Carolina just to get away from everything and try to just write and create. And that sort of sparked a few of these songs that got this album going. I think the biggest part of it was just to get away. We made more songs up there that aren't on the album than that are. But it was just getting the juices flowing and making and making and making. And then you get one that you're like, oh this is good. But you don't get that one that comes out that's good unless you make like nine before it that are okay. So that was cool, that kind of sparked the whole thing. And then after that it was back on tour. So the last year and a half has been, alright we're home for a week. Can we get a fucking song done? We're back for another week. It's interesting trying to write an album when you're touring as hard as we do to try to get it all done.”

That makes sense. Do you guys have a plan at some point for some of those other songs that might not have made the album?

Little Stranger: “We do! Uh oh! Exclusive! What we really want to do is we're sitting on like probably 14 songs that are either complete or 75% there. They're raw, they're not mixed and mastered.

But we love them. And for this project it just didn't quite feel like they maybe meshed with the other songs. So we would really like to put out like a B-side release. Maybe like six months after the release and really target that towards like our core families. Because they want new music whenever they can get it. And so we feel really good about this other mix of songs.

And again, I feel like we both come from this place of like some of our favorite bands, their B-side albums are our favorite material. The stuff that like, you know, I don't know. There's never been a through line for an album. There's never been a theme we have to stick to for an album. We don't like to put any of that pressure on ourselves. So like to find these ones that are extremely, you know, all over the map. It feels really good to put that kind of stuff out. And on a B-side it's like that doesn't matter. They can be all over the map.”

It's like no pressure.

Little Stranger: “It's just like this is everything else. But we're listening back on it. I'm like this might be better than the album.”

That's really cool. So you guys put out like “Sofia,” “God at a Festival,” and “Kama Sumatra.” I guess you kind of already are saying that your direction is all over the place. So are these kind of the best representation of what the album's going to be like or just your favorite songs? Why are they your singles?

Little Stranger: “I think at least these were some of our gut favorite songs off of the rip. But even in these songs, like we definitely are almost kind of challenging our fans in a lot of ways that we probably haven't before. These are songs that are maybe different styles or recorded or stripped down in a way that we haven't done before. So I love that we're choosing songs that are representative of the things we can do, but kind of trying to show them the corners of it. And then the album will kind of hopefully bring it all back into this like big center.

Yeah. I'm excited for people to hear the album because I do think that the singles so far have kind of maybe like in a certain place of like really upbeat and catchy and chaotic. And the whole album is not that way. But, you know, we talk about what singles we want, but then you also have input from management, the label, what we think singles should be. So yeah, I'm excited to get the rest of them out. There's a lot more areas it touches than just what the singles have so far.”

Okay, cool. Obviously, for “God at a Festival,” it was very like, gospel-y. What made you go in that direction? I liked it. It was very cool.

Little Stranger: “Andy Frasco made it go in that direction.”

Really? Okay.

LS: “Yeah. He's a good friend of ours. We got to tour with him. Once we toured, we became kind of like soul best friends.

Freakishly like best friends. This guy is our boy. We had a writing session in Charleston and we brought our other friend Ross Bogan in. He's an amazing keyboard player. And we were just kind of like, no plan, just like, let's make a song. And we all agreed, we were like, let's make something fucking upbeat. Typically with our stuff, it's a little more like behind the beat. So we wanted like a driving song. He wanted it to be in this gospel world. Ross is so good at keys.

He's like, yeah, something like this. And he made it happen immediately. So it was a really easy, fluid session. And then bringing in the lyric of like, if you're already in gospel and you could say God anywhere in there.”

Right, right, right. At the festival.

Little Stranger: “So yeah, it was cool. That's about as far away from what we typically do, I think, as you could get. And that was kind of nice to try that out too.”

Yeah, show that off. So I know Kev was saying that this is your first Gov Ball. So who are some people that you guys are excited to see right now?

Little Stranger: “Well, I was sad. We missed Post Malone.

Just as a, I mean, talk about a guy that came from a like ‘White Iverson’ as the hit. And then to get to where he's at and to be this beloved. But a couple of our team got to see him and they said it was phenomenal.

I mean, The Killers tonight are like a band that grew up in Vegas and became as big as they did is also pretty, pretty impressive.

But like, I want to see SZA. I want to see SZA tomorrow. I think when ‘Good Days’ came out, I probably listened to it on repeat for three weeks. And just like, it was like every shower. I was every day waking up and put on that song. And it just, yeah, she's scary good. She's scary good, I think.

Yeah, I want to say, I mean, I'm excited for The Killers for sure. And then we, this is like our third festival in a row that Sexyy Red has also been on. I would like to see her too. Very cool.”

Thanks again to Little Stranger for taking time to sit down with us. You can check out their brand new album Sat Around Trippin on all major streaming platforms and follow them on Instagram and Facebook

 

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BATHE ALONE: INTERVIEW


by martina rexrode

photo by lindsay thomaston

Bathe Alone is the musical amalgamation of artist Bailey Crone’s ideas and inspirations. Working closely with producer Damon Moon, Crone dropped Bathe Alone’s sophomore album I Don’t Do Humidity just a few weeks ago. The album is filled to the brim with material pulled directly from Crone’s personal life that surrounds this release with an incredible authenticity and a hazy sonic atmosphere. We talked to Bathe Alone not long after the album release, touching on the creative process, the influences of a background in classical music, and future goals.

It’s been just over a month since your album I Don’t Do Humidity dropped. How are you feeling? What was the first emotion you felt on release night?

Bathe Alone: “So the day the record dropped, we were actually on the road and playing a festival in Nashville. To be honest, show days are so crazy, I didn’t have a real chance to process that the whole thing was out! We had decided to play some new songs from the record that we’ve never played live before, so that was one small way to soak it in. It was nice to be able to spend this day in the sun with my friends.”

Which song were you the most excited for listeners to hear?

Bathe Alone: “I feel like ‘Victims’ is the song I’ve been most excited to see out in the world. I’m really proud of that one, and it tells such a huge part of the story of this album. During the rollout of the album, it’s been hard to keep that one a secret.”

What made you choose a lyric from the opening song “Lake Sympathy” as the album title?

Bathe Alone: “The album ended up having so many references to water, but in a negative way. Toxic relationships and divorce, things that really weigh you down. When we were trying to title the record, ‘Lake Sympathy’ had already been written, and reading that line back just felt like the right thing to tie all those concepts together, but with the attitude I want to carry from here on out. I don’t want to feel weighed down by those things anymore. Despite how serious the content of this record is, I’m actually a big troll in real life, so the title sounds almost as snarky as I would say it in real life.”

What was the creative process like? Did you pull in any collaborators or try any new techniques throughout the making of the album?

Bathe Alone: “This record took a long time, but it was just me and Damon doing what we do at his studio, but for a lot longer. We don’t allow a lot of people to be in the studio when we’re cooking, just so we can stay hyper focused and in the tone zone. As far as new techniques, we’re constantly trying to keep the process inspired, so there’s almost always a new thing we’re experimenting with, sonically. On this record specifically, it feels like every time we got a new piece of gear, we used it heavily on a song, and that has a big impact on my memory of it. Like ‘Victims’ has this fretless jazz bass and a Mellotron, and ‘Fresh Start’ was a Microcosm Hologram doing really weird things to drum machines and vocals.”

How has your background in classical music affected the sound you’ve created for yourself today?

Bathe Alone: “I think I have a good grasp on harmonic movement and how to support chords to get the right emotion based on the surrounding arrangement. In other words, I try not to think like a player in a band. I try to think from the bird's eye view. I want to see the picture as a whole. I feel like if you think like a player in the band, then ego gets involved. You may want to show off because you can, but that doesn’t always serve the song. I try to do things that are appropriate for the vision as a whole. Dynamics are the most important thing that I learned growing up in all those ensembles and bandy bands — it helps in deciding what the most important instrument is to be heard at any given point.”

What is the biggest incentive you’ve discovered for delving into such personal material in your music?

Bathe Alone: “I can’t afford therapy.”

Are there any goals you have for yourself or your music for the second half of this year?

Bathe Alone: “I’m looking forward to getting back on the road and really giving the songs on this album their own lives on stage. I feel like they always take on a brand new energy with the band, so I’m really pumped to play some shows and connect with our fans!”

 

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LYDIA THE BARD: INTERVIEW


by abby crabill

photo by lydia the bard

Lydia the Bard is a London based singer-songwriter, who broke into the industry by sharing her music on social media. While she enjoys sharing music covers, Lydia also stays busy writing her own music. Though her music is personal, she keeps it relatable with themes of anxiety and inner peace. Lydia recently released her debut EP, with her main track, “Afraid of Quiet.”

When was the first moment you knew that you wanted to pursue a music career?

Lydia: “I knew I wanted to pursue a music career from a very young age, around eight years old. Growing up, artists like Taylor Swift and Lea Salonga were significant inspirations and listening to them definitely spurred me to take up singing.”

Who or what inspired you to start sharing your music and covers on social media? 

Lydia: “During the pandemic, I had more time on my hands, which allowed me to play about with recording covers and writing my own music more. I started sharing my music on social media, mostly just covers of songs I enjoyed, then I began reimagining songs and then I began writing my own music! It all kinda snowballed.”

How would you describe your sound to new listeners? 

Lydia: “It’s a big old melting pot of sounds! I really make whatever I want and I enjoy so many different styles of music that mean this can look very different from week to week. If I had to drill it down I would say my sound sits mostly in a theatrical indie folk space.”

What does your name, Lydia the Bard, represent? 

Lydia: “My name, ‘Lydia the Bard,’ is inspired by my love for D&D, where a bard is a character known for storytelling and music. I began playing D&D with my friends a few years ago and fell in love with it! Just going by Lydia felt a little boring, so Lydia the Bard it is!”

Can you tell me a bit about your debut EP?

Lydia: “I began writing my EP at the end of 2023 and probably wrote about 30 different songs before settling on the three that made it into the EP. This is the first time I’ve released songs that were this personal and meant so much to me so it was really important to me that I got it right. Along with my writing partner Ben, we selected the three songs that would make their way onto the EP and spent the next few months fleshing them out and moulding them into what you hear today! My EP takes heavy influence from folk/indie pop artists and documents my experience with anxiety and the patriarchy.”

What does your process look like for choosing which songs to cover and post? 

Lydia: “I choose songs primarily on what I enjoy singing and what I think would be fun to create or sing to! A lot of the time these might be songs from films or TV shows or musicals that I enjoy!”

What is your favorite part of the songwriting process? Why?

Lydia: “My favorite part of the songwriting process is the lyric writing. When I think of really good lyrics it makes me feel smart and I like feeling smart.”

Besides music, what are some of your favorite hobbies?

Lydia: “Besides music, I love my plants, I started collecting them during the pandemic and am very proud of my collection. I'm also a big reader and love finding a new book series to devour!”

So far, what has been your favorite song to cover? Why?

Lydia: “Oooh, that’s a very hard question! I enjoyed all the songs I’ve covered for different reasons! At the moment I think my favorite thing to do is record my own original songs though, recording my EP and the original song I wrote for Tinkerbell was a really enjoyable process because I wasn’t just covering a song I was performing my song!”

What do you consider your biggest accomplishment so far?

Lydia: “I consider my EP my biggest accomplishment so far. As someone who began as a cover artist it was something I truly didn’t think I’d ever be able to do, so it’s definitely my proudest achievement and the most rewarding thing I’ve done.”

What projects can we look forward to seeing from you in the future?

Lydia: “Lots and lots of original songs in various genres and telling various stories! Definitely more songs in the style of my EP and more MT originals too!”

 

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GOV BALL 2024: A FESTIVAL TO REMEMBER


by janae stewart

The 2024 Governors Ball flew by in a whirlwind of music, sunshine, and free stuff. Held over three glorious days at Flushing Meadows Corona Park in Queens, Gov Ball boasted an impeccable lineup and an atmosphere that made it a truly unforgettable experience.

The anticipation was palpable as I joined the throngs of festivalgoers, the iconic Unisphere looming majestically in the distance. The sound of pounding amplifiers echoed through the gates, a delicious taste of the musical smorgasbord that awaited us. Conversations crackled with excitement as everyone strategized their must-see sets and the best ways to navigate the festival grounds

Beyond the Music: Interactive Delights

Gov Ball wasn't just about the music; it offered a variety of interactive experiences that added to the overall festival fun. Here are a few highlights that stood out:

The Coke Studio Experience transported attendees to a cool summer cabana with its sleek black and red design. Free Coke was a welcome refreshment, but the real draw was the AI DJ experience. With only our pictures taken, the experience produced an AI-generated music video that made it seem like we were actually singing. We walked away with high-quality hand fans – perfect for beating the heat and showing off our Coke Studio swagger.

M&Ms Sweet Tour: As a self-proclaimed M&M fanatic since my Halloween costume days, this stop was mandatory. The booth offered a chance to snap photos with the colorful characters, indulge in free samples of the surprisingly delicious Peanut Butter M&Ms, and score some cool M&M swag like temporary tattoos and bucket hats.

Dunkin' Donuts Lounge: As an honorary Bostonian, I couldn't resist the Dunkin' experience, especially after a long day on my feet. They offered free iced coffee samples, Munchkins, and festival swag –  including fanny packs, bucket hats, and sunglasses. Refueled and rehydrated, I was ready to conquer Day 3.

The American Apparel Tee Lab: Who doesn't love free festival merch, especially when you can customize it? The American Apparel Tee Lab offered a choice of crewnecks, v-necks, and tanks, along with four awesome designs. The best part?  They screen-printed the design right on the spot! The line was long, but the wait was totally worth the unique souvenir.

Musical Highlights

Gov Ball's lineup was stellar, and here are some of the performances that stole the show:

FLO 

The British girl group FLO has been on my radar since their single "Cardboard Box" went viral. Their stage presence was electrifying, and they delivered a high-energy set filled with their hits and killer covers of iconic girl group anthems like "Don't Let Go" and "Bootylicious." The future is looking bright for these rising stars.

Reneé Rapp 

Who knew the voice that captivated audiences on the Jimmy Awards stage would translate so perfectly to the Gov Ball main stage? Reneé Rapp commanded the crowd with her powerful vocals and captivating stage presence, performing hits like "Tummy Hurts" and "Snow Angel." Her effortless transition from theater to mainstream music is sure to inspire aspiring artists everywhere. 

Sabrina Carpenter 

Though we missed the whimsical pink motel set design from Coachella, Sabrina Carpenter's Gov Ball performance was no less captivating. With her dancers and signature "girl cat from Tom and Jerry" aesthetic, she created a truly immersive experience.  The crowd roared for her brand new single "Please, Please, Please," and she closed the show with a powerful rendition of "Nonsense," complete with a festival-appropriate outro change that had everyone cheering. “Do I text him back? It’s such a tough call / That won’t fit inside me, bro, I’m dumb small / People who hate Pride can suck my Gov Balls.” 

Chappell Roan 

The undisputed queen of the festival circuit, Chappell Roan did not disappoint. Her performance was pure spectacle, from the smoking apple chariot entrance to her iconic Statue of Liberty outfit. She delivered a powerful set filled with fan favorites like "Good Luck, Babe!" and "Femininomenon," and even debuted a brand new song, "The Subway."  The crowd erupted when pizza boxes with the phrase "HOT TO GO!" were passed out, leading to a festival-wide dance party that solidified her place as a true festival powerhouse.

Thirteen years in, Governors Ball remains a cornerstone of the summer festival scene. Their dedication to booking incredible artists, creating unforgettable experiences, and offering little extras like freebies and interactive booths makes it a festival you won't want to miss. Here's to many more years of Gov Ball!

 

THE WARNING: INTERVIEW


by emma schoors

photo by danielle ernst

Monterrey sister trio The Warning return today with their knockout fourth studio album Keep Me Fed, which ensures their continued standing as one of the strongest, most undeterred rock outfits of the decade.

Daniela, Paulina, and Alejandra Villarreal Vélez broke onto the metal scene in 2013 with a rocking cover of Metallica’s “Enter Sandman,” which racked up over 20 million views on YouTube and earned the sisters praise not just from millions of new fans, but the band themselves, with guitarist Kirk Hammett hailing Paulina as a drummer who “kicks maximum ass.” It’s been over a decade since that video turned all eyes to The Warning, and they’ve all but squandered the opportunities it presented to them. The sisters — guitarist Daniela “Dany,” drummer Paulina “Pau,” and bassist Alejandra “Ale” — have since released two EPs, four albums, and recorded a whopping fifteen music videos to support their material.

On Keep Me Fed, they hope to reach fans on an even deeper level than previously imagined. “[This album] is the result of us letting ourselves go, and writing stuff we didn’t even know we had to express,” Dany says. “Our biggest wish is that the people who listen will also find themselves and what they need in our music.”

We had the chance to sit down with the band to discuss Keep Me Fed, their upcoming Canadian tour with Evanescence and Halestorm, what keeps them motivated, and their dream collaboration! 

Thank you for joining us! Before we get into your brand new record Keep Me Fed, we’d love to know what sparked the inspiration for its lead single, “MORE.” Why did you choose this track as the first glimpse into the album?

Dany: “To be completely honest with you, it was the song that we wrote and recorded first! We felt it was time to let people know we were working on new music and we were preparing a new album for everybody as well. And ‘MORE’ was such a fun song to write… we also had a focus on making a cool song for our participation in a Pepsi campaign in Mexico, and we are proud to say that ‘MORE’ was the focus song of the whole campaign in 2023.”

Considering you were all so young when your “Enter Sandman” cover went mega viral, you must’ve grown up immersed in music. When did you first decide to pick up instruments and form the band, and what types of music did you find yourselves drawn to early on?

Ale: “You are correct! We grew up in a very musical household. We would see live concerts on DVD all the time and some type of music would always be playing around the house. We grew up listening to a lot of Queen, Muse, Elton John, Billy Joel, Pink Floyd, AC/DC and many others. Even though our parents are not musicians, they are very much music lovers. We started playing the piano and learning to play classical music, then the Rock Band changed everything. We played that video game non-stop and it was the inspiration for what we do today! Still at that point, each of us did our own thing for a while until the fateful day we decided to play a song together for fun… safe to say, we loved it.”

What significance does the new record’s title, Keep Me Fed, hold to you all?

Pau: “The title Keep Me Fed represents this constant need of being fed by something, anything really, whether it be from social media, music, comedy, reading. It represents how nowadays living a single second without consuming something is unthinkable, and the need for constant stimulation is equally expected of everyone.”

You described another of the album’s fantastic singles, “Burnout,” as about “being tired of being dragged down by someone who just stopped trying in life.” On the contrary, what keeps you motivated to try, especially in the band?

Dany: “Love this question! There’s lots of things that motivate us, but specifically I think it’s the people around us: our parents who support us and work so hard for our well being and happiness as well as our success, our whole team that have stuck with us through every rehearsal and show around the world and always inspire us to be better, every single person who listens to our music and shows up to rock out with us in our shows, and especially each other. As sisters, we know we have our backs in this crazy and incredible journey. We are very grateful for all of these things that give us motivation, because following your dreams is hard and it will make you work harder than you’ve ever done before, so we’re lucky.”

How does a typical The Warning songwriting session go? Do you start with lyrics and lay down instruments from there, or vice versa?

Ale: “It depends a lot on the song and where the inspiration to write it came from, but Pau who is the main song starter in the band, pulls a lot of inspiration from visual stuff. She will usually have a theme and a mood board to accompany it and then sit in the piano. Sometimes music comes out first, sometimes lyrics… sometimes both at the same time. We all are very involved in the songwriting process and the end result. Rockafying songs that are born as piano ballads is always fun.”

So many of rock’s greatest groups have included siblings — Van Halen, Allman Bros, Kings of Leon, AC/DC, the list goes on. Why do you think that is? Is there an element to performing with family that gives the music extra meaning?

Pau: “We can’t speak for all of those bands, but being siblings in a band together for us is the coolest thing ever. We’ve always been very close, and music is all about sharing feelings and ideas in a very special way. To have the opportunity to do that with the people who understand you and love you the most is definitely a blessing. Plus, you will have the most unfiltered honesty that siblings have [laughs].”

Later this year, you’ll join Evanescence and Halestorm for a string of live dates in Canada! What are some essential items you keep with you on tour?

Dany: “Yes, we can’t wait to be on that tour! Essentials for tour for us are… now don’t laugh, but tortillas [laughs]. We travel with tortillas everywhere. As good Mexicans, we need some quesadillas for breakfast, and it helps a lot to have something that reminds us of home, especially since we are away for very long periods of time.”

You’ve also performed alongside Foo Fighters, Muse, Royal Blood, Guns N’ Roses and more. What’s the best advice you’ve been given by an artist you’ve played with?

Pau: “We have, and every single one of these experiences have been amazing. On the Muse tour we received advice that said ‘always be kind,’ and yes, the most amazing thing these performances have shown us is the kindness of all the people that make a band shine, whether it’s the artist themselves or all of their crew. We hope we can be a band like all of them and show the same kindness to the new band of the next generation when the time comes.”

What are some of the main themes on Keep Me Fed? Maybe a message you’d like listeners to take away at the end of it?

Dany: Keep Me Fed is the result of us letting ourselves go, and writing stuff we didn’t even know we had to express. It was an album of a lot of self-discovery, as well as letting ourselves have fun writing our songs. Our biggest wish is that the people who listen will also find themselves and what they need in our music. Let Keep Me Fed be a safe space to let yourself feel what you need to feel.”

Finally, who are some artists you’d love to collaborate or tour with in the future?

Pau: “Well, we haven’t collaborated much as a band, but we’ve had so much fun on the ones we’ve had! The Metallica Blacklist project with Alessia Cara was an absolute blast, and we’re participating on a song with Band-Maid on their new upcoming album. We love sharing the creative process with other artists and in the process enrich ours and open our minds to new ways of songwriting. If we were to shoot the rocket to the moon, we’d say we would love to collaborate with Muse. That would be a dream come true, let’s manifest it!”

 

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