DAYOUNG: INTERVIEW


photo courtesy of dayoung

There aren’t many soloists in the K-pop realm that have had the type of immediate career acceleration that DAYOUNG has. From her debut as a member of WJSN (Cosmic Girls) in 2016 to her re-debut as a soloist just last September, DAYOUNG has undergone what at first looks and feels like a complete 180 from the stage persona she started out with. A deeper look suggests that she might just be one of K-pop’s greatest talents with her ability to thrive on stage in any visual or sonic concept. Her latest single, “FLIRTY,” is an addictive track that also serves as her first collaborative solo release alongside Jay Park. Unclear spoke to DAYOUNG about this buzzy single, her meteoric rise as a soloist, and what it means to be as creatively involved as she is now in her own music.

Congratulations on the release of “FLIRTY!” Do you typically feel more nervous or excited in the build-up to releasing new music? How are you feeling now that this single is out?

DAYOUNG: “Thank you. I think I always feel a mix of excitement and nervousness whenever I release new music. Since I put so much time and care into each project, I’m always curious to see how people will react to it, which makes me even more excited. ‘FLIRTY’ is especially meaningful to me because it’s my first collaborative single. I put a lot of thought and love into the whole process, so more than anything, I’m just really grateful that the song is finally out in the world. Most of all, I hope people enjoy the exciting and carefree energy of the song, as well as the new chemistry between Jay Park and me.”

Can you share a bit about how this collaboration with Jay Park came about?

DAYOUNG: “After the MMA (Melon Music Awards) performance, I heard a lot of people around me say, ‘You and Jay Park would be a great match if you made music together.’ I found myself agreeing, and not long after that, I went to LA, where we started working together and listening to different songs and beats. In fact, I had been working on ‘FLIRTY’ with Jay Park in mind from the very beginning. So when I first heard his vocals on the song in the studio, I immediately thought, ‘This is it!’ It was amazing to hear the sound I had imagined actually come to life. I think our different musical styles came together really naturally, and that’s what gave ‘FLIRTY’ its unique charm.”

With “FLIRTY” being your first collaborative single, did you find the creative process to be different in any specific ways compared to your previous releases?

DAYOUNG: “The biggest difference was the joy of creating something together. When I work on solo music, I usually build the story around my own emotions and thoughts. This time, I spent a lot of time thinking about how our two musical styles could come together naturally in one story. Rather than trying to make our styles match perfectly, I felt it was more important to let each of our personalities shine. Through the process, I was also able to gain new perspectives and come up with ideas that I might not have thought of on my own. This project reminded me how fun and exciting collaboration can be, and it made me want to keep working with different artists in the future.”

Yours and Jay Park’s musical styles differ, but come together exceptionally well to compliment each other in the vocals as well as physically within the music video. What do you feel are the key steps when creating such a palpable chemistry between two artists in a track like this?

DAYOUNG: “I think the most important thing is understanding and respecting each other. While working on ‘FLIRTY,’ Jay Park and I didn’t just think of ourselves as two artists singing a song together. We saw ourselves as the male and female leads in the same story. I wanted people to naturally picture a scene from a movie when they listened to the song. We wanted to capture that subtle moment when two people start to feel drawn to each other and bring that feeling to life through both the music and the performance. So we paid attention not only to the choreography, but also to small details like our facial expressions, eye contact, and the distance between us. We respected each other while still letting our own personalities show, and I think all those little details helped create the natural chemistry you see in the final result.”

What’s your favorite aspect of creating music as a soloist? What made you want to get more involved creatively in the first place, starting with “marry me” on your debut EP?

DAYOUNG: “One of my favorite things about being a solo artist is being able to express my own thoughts and feelings through music. When I worked on ‘marry me,’ I realized for the first time how rewarding it was to tell my own stories through music. After that, I naturally started sharing more of my ideas — not just about the music, but also about the concept, performance, and visuals. I really started to enjoy the whole process of bringing one project to life. Seeing something I imagined turn into a real song, performance, or visual is still one of the most exciting parts of what I do. Moving forward, I want to be even more involved creatively and continue making music that shows my own unique color.”

photo courtesy of dayoung

This year marks a decade since your initial idol debut as a member of WJSN (Cosmic Girls), and your career looks a lot different today. If you could give your 2016 self any advice or reassurance, what would you say to her?

DAYOUNG: “I think the first thing I would tell her is, ‘You don’t have to worry so much.’ When I first debuted, everything was new, and I felt a lot of pressure to always do well. I was probably harder on myself than I needed to be because I was so afraid of making mistakes. But looking back after ten years, I’ve realized that every experience was meaningful and helped shape who I am today. So I would tell my 2016 self, ‘Trust yourself a little more, and enjoy this moment as much as you can.’ There will be so many happy moments and wonderful people waiting for you along the way, so you don’t have to rush. Just believe in yourself and keep moving forward, one step at a time.”

What are some short-term goals on your mind as you continue to carve out your own path as a soloist?

DAYOUNG: “My biggest goal is to become an artist who consistently makes good music. Through ‘FLIRTY,’ I got to experience a new kind of collaboration and discover a side of myself that I didn’t even know was there. Going forward, I don’t want to limit myself to one genre. I want to keep trying different kinds of music and new projects while developing a sound that is truly my own. More than anything, I want to be an artist who always gives my fans something to look forward to — someone who makes them think, ‘I wonder what DAYOUNG will show us next?’ I want to keep growing through new music and performances and continue showing different sides of myself. Ultimately, I hope to be remembered as an artist whose music people can enjoy and love for many years to come, and I’ll keep working toward that goal.”

 

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MEGAGONEFREE: INTERVIEW


by alyssa crammer

photo courtesy of megagonefree

From ukulele covers on 2020 quarantine TikTok to a 2026 Pride tour, MegaGoneFree is a Black, Queer artist shaking the music scene. Within their unique “anti-pop” music genre, they write music ranging from the topics of the damaging effects of AI, to what it's like to be in the public music scene. As an artist, Mega’s main message is to spread love and empathy, making us all feel better about the future of the music scene. We were delighted to speak to Mega about their life experience and what it's been like to be a musician in this era of music.

How has being a Black LGBTQ+ artist impacted the way you create music lyrically and acoustically?

MegaGoneFree: “My identity as a Black Queer artist is often the driving force behind my music. I find a lot of inspiration in my identity and its rebellious nature to authority. The lyrics I create are meant to be empowering to those who find it hard to express themselves fully, which is a large trope within the Black and queer community.”

As an artist, your morals and beliefs give me this sense of hope for the future of our world. Your website says you want to spread a message of “...love, open mindedness, empathy, acceptance, and hope.” What has built you into this mindful, empathetic artist you are today?

MegaGoneFree: “The way I grew up. When I was younger I was bullied and outcasted for being different. As I’ve grown, I’ve gotten more comfortable with embracing my abnormalities. I love what makes me different. I know how hard it can be to embrace who you are with everyone telling you you should be fitting into society. All I want to be is a catalyst for people struggling to accept who they truly are. I want my music to be a safe space to be free.”

Your music isn't a linear genre. It’s more a mixture of multiple genres like pop, R&B and hip hop. If you had to give a name to this genre of music, what would you call it?

MegaGoneFree: “If I had to name it, I’d call it anti-pop. Or simply just alternative. I pride myself on being free of genre, though I do have certain genres that frequently call to me. I want to be known for my versatility. A lot of the time I’m put into a box because my most popular songs fall into a similar genre, but I’m more than just that one genre. Thank you for noticing.”

What is your favorite song you've ever written?

MegaGoneFree: “Ooooooh, well my old answer was ‘Likes & Comments.’ I love the topic of that song, it still very much holds true to the way I feel about content creating to promote my music. But now I’d say my answer is ‘Mx. Perfectionist.’ I love that it’s hard core rock. I love the topic, the feeling of dissatisfaction is a major repetitive theme of my life. The lyricism itself is very reminiscent of my old style of writing from years ago, very abstract. I actually started writing that song in 2020 and there’s even a TikTok that exists with lyrics from that song from that time.”

Your newest song “I Am Not Real” revolves around the concept of AI and how it relates to how people can treat humans at times. Similar to how AI is used, people will only come to you with issues, and leave right after. How do you personally deal with people like this?

MegaGoneFree: “I’m personally still learning to navigate people like this. Logically I know how they should be handled. I know you need to have a certain level of self respect in order to recognize that you’re being used and mistreated. But growing up as a people pleaser, it’s hard to stand on my boundaries sometimes. Especially since I often get caught up in people's potential rather than the reality of the situation. How simple life would be if we could just base our emotions purely off of logic.”

To add to my last question, how do you think AI is changing the music industry?

MegaGoneFree: “AI is horrible for the music industry, or should I say for artists. I recently discovered that my own catalog is being used to train AI without my consent. It’s taking spots on the Hot 100 from true talented artists. Artistic spaces are no place for AI advancement. Unfortunately it’s not going anywhere any time soon. Our government will do nothing to regulate it currently with who is in office. All we can do is continue to use our voices and create radically human art!”

You also have a side business called GonerGLAM. It consists of many crochet pieces that relate to your art. How does this hobby play into your everyday life? Is it a part of your musical journey?

MegaGoneFree: “I learned to crochet in the fifth grade. I never would have thought I’d be able to take a passive skill I learned as a child and turn it into business. I stopped crocheting for years and then started again when I had the idea to create pieces based around my songs. My audience finds it very cool that I’m able to use crocheting as a means of music promotion.”

During COVID, you had many TikToks blow up of your covering hit songs while playing the ukulele. Has this experience shaped you into who you are as an artist? How has it affected how you make music?

MegaGoneFree: “It DEFINITELY shaped me as an artist. I wouldn’t be who I am today without those covers. Every once in a while I’ll return to my roots and make videos like them with current songs. I try to avoid doing so though, because when I do it too much it becomes what certain audiences expect from me. I only want to be known for my own music. I usually stay away from ukulele when creating music. I only really learned it because I was 16 at the time and it was an easy instrument to learn.”

You recently had your Pride tour! What was your performance like on tour?

MegaGoneFree: “It was a beautiful celebration of my entire catalog! There were also a lot of fun surprises. Like a vogue performer for ‘Take This L’ in Baltimore. And a special performance of ‘Henrietta Hudson’ NYC where I picked a guest to come on stage. And during ‘Megatron’ I called people on stage to dance. It was so fun!”

Do you have any advice for our LGBTQ+ readers?

MegaGoneFree: “Don’t be afraid to be who you are. Don’t feel pressured to be something that you’re not. Just be the biggest version of yourself that you can be, and the life that’s meant for you will fall into place around you. You just need to have trust that the path you're walking down will ultimately lead you to where you want to be.”

 

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'THE BURDEN' / MAE KRELL: REVIEW


by dan d’arpe

Singer-songwriter Mae Krell shines in her continued ability to craft songs which obliterate listeners, delivering a new single that is perfect both for the waning peak of summer, and an excellent introduction for her upcoming sophomore album, lullabies for the soul that stuck around. A project which aims to “come to terms with the fact that the hard things you went through weren’t necessarily your fault, but they are still yours to carry.”

the burden” is both airy and poignant, delivering heavy introspection — and even heavier truths —that sit somewhere deep. Opening with a memorizing, dream-like combination of soulful humming and soothing guitar, the song perfectly captures a sense of being within a dream: both intangible, yet simultaneously vivid. Written following an episode of sleep paralysis, Krell’s poignant lyrics, “I have everything I’ve ever wanted, but I still can’t sleep at night,” shine a moving spotlight on fear, but not in a hysterical sense. Instead, it’s of a quieter quality, as much reflective as it is mournful. An opening line that truly feels almost timeless in how relatable it can be, regardless of age or circumstance.

With that aforementioned meditative melody in the background, the artist delivers a poignant vocal performance that reminds listeners that growth is not always linear. The lyrics reflect on issues of body image, and how trauma is something which can touch and effect life in far reaching ways, shaping how we view ourselves. A contemplative Krell admits, “I think the burden of being me / weighs less when I do / weighs more when I do” in a final send off that lingers in the air well after the track has ended.

“the burden” is the absolute perfect showcase for Mae Krell’s soft but powerful voice, which has an electric ability to be the perfect conduit to so many intersecting and crashing emotions. When mixed with the string section — which includes guitars, and gradually builds to include a soft backing of drums — the effect is truly an emotionally devastating (almost) 4 minutes. Yet it’s 4 minutes that is also unquestionably beautiful.

Three more singles are expected to drop before the album’s November release. And fans will have the exciting opportunity to Mae Krell this August and September, as she lends a helping hand to support Ethan Jewell on his Growing Together Tour.

 

OMEGA X: INTERVIEW


by martina rexrode

photo courtesy of IPQ

When a K-pop group takes a hiatus, it’s often a necessary means to begin their mandatory military service (in the case of boy groups) or simply a way to allow individual members to pursue their own projects. For JAEHAN, YECHAN, XEN, KEVIN, SEBIN, JEHYUN, and HWICHAN of OMEGA X, taking over two years off from releasing music as a collective was quintessential not only for their newfound identity as a 10-member group but also as a way to come into their own after a tumultuous debut five years ago. Unclear spoke to the group about the significance of their latest comeback, UNCAPPED, the unique involvement of fans in the creative process, and what their future holds.

First of all, I want to say welcome back and I hope you’re all doing well! In your own words, what has this hiatus made you realize or meant for you as both individual artists and a collective?

JAEHAN: “Right up until this album, I kept going forward without stopping with solo and unit activities to continue growing. And it really made me realize again that OMEGA X is happiest when we’re all together.”

HWICHAN: “For me, it was a time to look back at myself, and also a chance to grow more mature.”

SEBIN: “It made me think that we really shouldn’t have another hiatus like this, and that we should continue working hard.”

XEN: “This hiatus wasn’t an easy time, and eventually it became a time to really reflect on myself. Looking back, I think it was necessary to have the time to strengthen myself.”

JEHYUN: “Since we’re coming back as OMEGA X after a long time, I think it was a more meaningful experience that has let us grow further.”

KEVIN: “Just like the album title UNCAPPED, the idea of finally letting out everything we’ve been holding in really matched us coming back after such a long hiatus. It reminded me of this easygoing, ‘it’ll all work out somehow’ kind of mindset.”

YECHAN: “To me, it felt like I had no hiatus because I was working on activities to keep the momentum going for the team while waiting for our comeback.”

This mini-album, UNCAPPED, is your first release as a group in over two years. How do these five new tracks represent where OMEGA X stands now and how you hope to move forward?

JAEHAN: “Honestly, if this album hadn’t come out now, the hiatus would’ve stretched even longer, and I think we might have worn out. But with UNCAPPED out in the world now, I feel like OMEGA X can keep telling many more stories going forward.”

KEVIN: “We’re moving ahead, holding onto this mindset of enjoying life, just appreciating each moment for what it is.”

What are each of your favorite tracks on this mini-album and why?

JAEHAN: “I love ‘Life Detox’ the most because of its lyrics. I really hope a lot of people get to hear it.”

HWICHAN: “My favorite is the last track, ‘Life Detox.’ The lyrics are great, and its mood film came out so beautifully too, so I feel like it’s a perfectly comforting song.”

SEBIN: “Personally, ‘Cork’ is my favorite. I love the new side of myself in it, and I like that I get to show that side of me to our fans.”

XEN: “It’d be ‘Close to me’ for me. It was my first time working on a song from start to finish in the same studio as JAEHAN and YECHAN, so it holds a warm feeling for me.”

JEHYUN: “I love ‘Life Detox’ the most. It’s calm but the lyrics carry many messages, letting listeners really resonate with it.”

KEVIN: “My favorite is ‘Cork,’ and not just because it’s a unit track that I participated in. It’s dreamy but not too heavy, and light and deep at the same time. And most of all, the melody is just really good.”

YECHAN: “It’s really hard to pick one. We poured our hearts into working on all five songs.”

What was the creative process like with JAEHAN, YECHAN, and XEN each having their own contributions as lyricists and composers? Did these tracks and their meanings come to you easily or were some more difficult to construct than others?

JAEHAN: “The easiest one to work on was ‘Life Detox.’ The direction I wanted for the melody and the message I wanted to get across came to me very easily. The one that took the longest was ‘Close to me.’ Since all three of us worked on it together from beginning to end, we each understood things a little differently, so we discussed a lot to meet in the middle. That’s why it took the most time to finish.”

XEN: “Honestly, I find working on OMEGA X group songs pretty difficult. I feel like there’s a gap between the direction I personally pursue and the color of OMEGA X’s music, so working on this album wasn’t exactly easy.”

YECHAN: “When we were making the title track, I studied a lot more and listened to a wide range of music. I made an effort to break out of the rhythms and melodies I usually fall into, and while writing the b-sides, I could really see that growth inside myself, which felt rewarding.”

Your fans were also involved in the creative process, which is very unique. Can you explain how they were able to help with this comeback and the final product?

HWICHAN: “The title track was chosen through our fans’ votes, and we prepared the album following that style and direction. Since their opinions are reflected in it, this is a truly meaningful album.”

JEHYUN: “From our outfit styling to the unit song lineups and picking the title track, our fans helped shape big parts of this album. Getting to show up in a way that meets our fans’ direction and expectations made it a really meaningful experience.”

If you took a second to visualize the future you see for OMEGA X after UNCAPPED, how would you describe what you see?

JAEHAN: “I think we’ll still be happy along with FOR X. I want to keep creating our stories together.”

HWICHAN: “I hope OMEGA X becomes a group that spreads a lot of love and peace.”

XEN: “I think we’ll be traveling to many places to meet FOR X. I want to see every single one of them, without missing anyone.”

YECHAN: “We’ll probably be enjoying the rhythm and having a blast in front of many fans. I can’t wait to meet them soon!”

 

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DARVISHI: INTERVIEW


by martina rexrode

photo by Joey Ng AKA 2WNTY4

Within a modern music industry and fan culture that searches high and low for the next big thing every week, it’s always refreshing to witness an artist come into their own authentically and organically. Darvishi is one such artist who just released her new single “Jelo,” a seamlessly bilingual track about pushing through self-doubt to rekindle your passions and inner joy. With her hypnotizing vocals and an instrumental that commands listeners’ attention, Darvishi presents herself as the Persian Pop Princess we’ve all unknowingly been waiting for. Unclear spoke to her about this single, her creative process, her artistic evolution from 2019 to now, and more.

Congratulations on your latest single! Can you tell our readers and your fans a little bit about “Jelo” and the meaning behind it?

Darvishi: “Thank you so much! ‘Jelo,’ or جلو, means ‘forward’ in Farsi, and the song is all about pushing forward and rediscovering your spark after moments of self-doubt. I wanted it to feel empowering, joyful, and impossible not to dance to. At its heart, it’s a reminder to keep moving forward, even when life tries to convince you otherwise, and to reconnect with the things that make you feel most alive.”

The lyrics to this track are presented in English as well as Farsi, highlighting your Iranian-American heritage seamlessly. When writing the lyrics to “Jelo,” how do you differentiate which lines you’ll deliver in which language?

Darvishi: “I usually don’t try to force either language into a song. I let the lyrics come naturally. With ‘Jelo,’ I knew from the beginning that I wanted the song to center around the word ‘Jelo’ because the whole message is about moving forward. From there, I followed whatever felt most honest. Sometimes a phrase just sounds better in Farsi or fits the melody and rhyme more naturally, so I’ll write it that way. Other times, the thought comes out in English, and I leave it in English. I’ve found that my best songs happen when I don’t overthink the language aspect and instead let my heart decide. That’s what makes the blend of English and Farsi feel authentic rather than intentional for the sake of being bilingual.”

What was the overall creative process like when creating this single? How did you work together with your collaborators to bring your vision to life?

Darvishi: “I actually started writing most of ‘Jelo’ at home. I recorded lyric and melody ideas in the voice memos app on my phone, and once I had a direction, I brought everything into the studio with my producer, Korey Keys. I also like putting together a playlist of sonic references before we start producing, so we had a shared vision for where we wanted the song to go. From there, we spent about a week experimenting with different ideas, and that’s one of my favorite parts of the process! Nothing is set in stone, and we’re always asking, ‘What if we tried this instead?’ For example, ‘Jelo’ actually started out as a slower song. Once we sped it up, though, everything clicked, and we knew we had found the version that captured the energy and message of the song perfectly.”

Do you tend to pull inspiration for your music from your own life, your surroundings, media you consume, or something else?

Darvishi: “I draw inspiration from a mix of places. Sometimes my songs come directly from my own life, like ‘Jelo,’ but other times I tap into my imagination and write stories for the Persian Pop Princess and wherever her journey is taking her next. I’ve always loved fantasy and fiction, so I’m constantly reading fantasy novels and watching anime, and those worlds definitely inspire my songwriting. When I was younger, I actually wanted to be an author and spent a lot of time writing short stories. In a way, songwriting lets me do the same thing! I just get to tell those stories through music instead. I love continuing to build the world of the Persian Pop Princess one song at a time. I’m also really inspired by the artists I listen to, especially Dua Lipa and Lisa (BLACKPINK). I love watching their performances and seeing how they create entire worlds around their music, not just great songs. They always inspire me to keep growing as a performer and to dream even bigger for what the Persian Pop Princess can become.”

Where did the inspiration for “Jelo” come from? How do you see listeners finding themselves within the lyrics?

Darvishi: “‘Jelo’ was inspired by a time in my life when I was questioning whether I wanted to keep pursuing music. Whenever I’m overwhelmed, I turn to songwriting, and instead of writing a sad song, I challenged myself to write the anthem I needed to hear. As I was writing, I realized the only way through self-doubt was to keep moving forward and surrounding myself with the things that brought me joy. I hope listeners can see a little bit of themselves in that, because I think everyone has moments where they lose confidence or feel stuck. My hope is that ‘Jelo’ reminds them to keep going and to rediscover whatever makes them feel most alive! Whether that’s music, dancing, spending time with friends, or something completely their own.”

For this release, you also teamed up with Koja Cafe in Westwood, CA to create a drink inspired by the song. Can you tell us about this collaboration and how this idea came to be?

Darvishi: “Yes! It was such a fun collaboration and I loved getting to work with fellow Persian creatives. I actually met Tara, the owner of Koja Cafe, at a pop-up she was hosting at Diyar Concept Store. I tried one of her drinks, loved it, and asked if she’d ever be interested in creating a drink inspired by one of my songs. She immediately said yes!

The following week, we started brainstorming ideas for a ‘Jelo’ drink and landed on an espresso or matcha drink with rose syrup, vanilla bean cream, and a scoop of pomegranate ice cream. It was absolutely delicious! Since Koja Cafe’s pop-up was at Saffron & Rose that day, they supplied the pomegranate ice cream, so it ended up becoming a collaboration between Koja Cafe, Saffron & Rose, and me. I’ve always dreamed of having a signature drink inspired by my music, so seeing that idea come to life was incredibly special. Getting to celebrate the release with fans at the shop made the whole experience even more memorable.”

How has your artistic identity changed since you first stepped onto the scene with “Taste Like Summer” in 2019?

Darvishi: “It’s changed so much, but it’s been such a fun journey! When I first released ‘Taste Like Summer’ in 2019, I was still figuring out who I was as an artist and I experimented with a lot of different sounds because I wanted to explore what felt most authentic. Over time, I realized the music I was most excited about was the music that embraced my Iranian heritage. Once I started weaving Farsi, Persian influences, and my own experiences into my songs, everything clicked. And it felt so natural that I knew I wanted to keep moving in that direction. Creating the Persian Pop Princess has also been a huge part of that evolution. It’s given me the freedom to blend storytelling, fantasy, and my culture into one world, and it’s become such a meaningful part of who I am as an artist today.”

When you picture your career another seven years from now, what do you see?

Darvishi: “I see myself performing on stages around the world and bringing the story of the Persian Pop Princess to life through my music. I’ve always dreamed of creating immersive shows with elaborate sets; like castles, Persian-inspired visuals, live dancers, and storytelling that makes the audience feel like they’ve stepped into another world. I want my concerts to feel like more than just performances. I want them to feel like an experience, almost like a musical or a fantasy adventure. And along the way, I hope I can introduce more people to Persian culture in a way that feels joyful, welcoming, and celebrates its beauty.”

 

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